The good people over at M·A·C were kind enough to share their facecharts from the Fall 2010 shows during Milan Fashion Week. Today’s facecharts include: DSquared2, Blumarine, and Alberta Ferretti, whose shows took place on Friday, February 26th.

DSquared2

M·A·C artist, Gordon Espinet channeled the Helmut Newton woman circa 1982 for the models at DSquared2. Said the artist, “She’s tough and strong but beautifully feminine.” Espinet applied M·A·C Face and Body Foundation (set with Blot Powder) to create a matte, transparent finish on the skin. Powder Blush in Taupe was used on the cheekbones as a contour. Kohl Power Eye Pencil in Feline was applied to the inner rim and outer lash lines to create a dark focal point on the face. Eye Shadow in Carbon was placed over the top of the liner with a #266 brush and swept upward, creating an elongated shape. Espinet then blended Eye Shadow in Russian Blue into the eye socket and over the Feline/Carbon line (for a soft, shadowy shape). Eye Shadow in Contrast and Reflects Duo Pigment in Purple was brushed onto eyelids using a #239 brush. To highlight the brow bone, Espinet applied Eye Shadow in Crystal Avalanche, while Opulash Mascara in Bad Black was added to lashes. Lip Pencil in Cherry was applied all over the lip, with Lipstick in Good To Go layered on top.

Blumarine

M·A·C artist, Charlotte Tilbury pulled together a sexy, smokey  look for the models at Blumarine. Said the artist, “It’s that late 50’s, early 60’s girl looking sexy in her leopard skin coat. She’s a bit minxy, a bit foxy, with a Brigitte Bardot lip and feline eye that’s smoked out.” Tilbury applied M·A·C Studio Sculpt Foundation along with Mineralize Skinfinish and Invisible Set Powder to the center of the face. Bronzing Powder in Matte Bronze was used to contour the cheek. Tilbury then applied Kohl Power Eye Pencil in Feline (thinly and close to top lashes and waterline of eye with a thicker line along the bottom lash line). M·A·C Fluidline in Dipdown and Blacktrack (pre-mixed) were applied over the Feline liner  using a #209 brush. Eye Shadows in Typographic and Corduroy were blended and “dragged out” using a #219 brush. Opulash Mascara in Bad Black was then applied to the bottom lashes only, while #30 lashes were placed on the outer corners of the lash lines. Brow Set in Clear and Impeccable Brow Pencil in Dirty Blonde was used to set and define brows. For lips, Tilbury applied Lip Pencil in Oak for definition. Pro Longwear Lipcreme in Till Tomorrow was blended into the lips, while Lip Pencil in Burgundy was used around the lip to give an overdrawn effect.

Alberta Ferretti

M·A·C artist, Lucia Pieroni created a naked look for models at Alberta Ferretti. Said the artist,” It’s a monochromatic palette of beige and nude and grey, inspired by nakedness and nature. The girls are ethereal , but not too fairy-like-they’ve got an edge. A 1950’s/Jennifer Connelly inspired brow takes the focus. Pieroni applied M·A·C Strobe Cream to prep the skin for a raw, nude, and creamy look. Select Moisturecover Concealer was used only where needed. Invisble Set Powder was then applied to the center of the face, while Pigment in Vanilla was dusted on to highlight the cheekbone with a #244 brush. Sculpting Powder in Bone Beige was used on the apple of the cheek to add warmth to the skin tone. Pieroni used Eye Shadow in Copperplate along the outer corners of upper lids and from the middle of the lash line outwards on the bottom. Eye Shadows in Copperplate and Typographic were brushed up through the top line of the brow to elongate and exaggerate. Lashes were curled and left bare. For lips, the artist applied a combination of Lipsticks in Siss and Myth, which was blended and patted onto lips with a finger.

Image Layout: Indieprince

Just because Miss Winehouse isn’t busy in the studio does not mean she isn’t bee status anywhere else.  She is putting herself back on the radar, this time in fashion.  In January 2009 we heard a rumor that Amy Winehouse was working with Fred Perry.  Now, we’ve confirmed that Winehouse is launching a clothing collection in collaboration with British label Fred Perry, to make its debut in stores in October.

I mean yeah, she’s as crooked as a joy ride jaunt and all but c’mon, we all have love for this

Amy has been wearing Fred Perry for years, so we were aware she was a genuine fan of the brand,” said Richard Martin, Fred Perry’s marketing director, of the initial pursuit of Winehouse for the design gig. “Amy has a unique sense of style that reflects the brand’s own historical reference points.

If Lagerfeld said she is a fashion icon, then obviously the stamp of approval is held high right? The collection will showcase slim, thigh-skimming pencil skirts; capri pants, a mini bowling dress, and Fred Perry’s signature polo shirts. The collection, which will wholesale for between about $32 and $150, will continue over four seasons and be sold in Fred Perry Authentic boutiques as well as through select wholesalers globally. “Amy gave crucial input on proportion, color and fit.”

I can’t wait to see the garments in person! Keep an eye out this coming fall ladies.

Source

HELLZ BELLZ presents their Spring 2010 delivery one collection, Obsessed with You, “a collection that reflects an obscure view of modern fashion and the obsession that it becomes.”  Spring is usually full of color but this season Hellz decided to go left when everyone else went right and swayed away from color and focused on the unique and simplistic details of each silhouette. Hellz seriously never disappoints me and once again they deliver a great collection, I can’t wait to get my body in this collection as soon as possible! LOOOVE!

View the picture heavy gallery of Hellz Spring 2010 “Obsessed With You” collection:

Symmetry Accessories

SYMMETRY is a new accessory line ready to launch for this fall. The dynamic duo behind the full-function pieces are Ted Byrnes and Gena Tuso hailing from Los Angeles, California.  Each scarf has their own jewelry-like component and variety of placed grommets. My favorite part is that each scarf comes with their own toggles on either end that can connect to any of the grommets allowing the scarf to be customized any which way by the person wearing it.  All of the grommets are reinforced with leather backing, ensuring longevity.

Every scarf for Fall 2010 is made of Wool for a warm, luxurious hand.  All the plaids are Woolrich Wools (100% American made Wool), while the lighter weight wools are from Japanese mills.  The other notions for the scarves are produced locally in Los Angeles, and the scarves themselves are cut and sewn in LA. Can’t get much better than that right?

Symmetry Accessories

Both designers have an affinity for scarves, their usefulness and versatility of an accessory.  Symmetry is inspired by supporting artisans and craftsmen here in the States and are hopeful that they can contribute to honestly made products coming from artisanal producers.

These scarves are truly unique and versatile – they can work their way into most anyone’s wardrobe.  The fact that they are of the highest quality fabric and notions only makes them that much more appealing.  It’s really nice to see a brand do one thing well and not try to do too much.  Symmetry launches in the Fall and we’ll keep you up to date with a list of stockists as we get closer to the release.

The good people over at M·A·C were kind enough to share their facecharts from the Fall 2010 shows during London Fashion Week. Today’s facecharts include: Peter Pilotto, Nathan Jenden, and Jonathan Saunders, whose shows took place on Tuesday, February 23rd.

Peter Pilotto

Said M·A·C artist, Lisa Houghton of the look at Peter Pilotto’s Fall 2010 show, “She’s a chic, polished lady, but still has a bit of quirky attitude.  I was inspired by a shot of a dust track in Ethiopia in “Traveler” magazine (Autumn 09)-taken by Marco Paoluzzo.”  M·A·C Studio Moisture Fix was applied lightly over the skin as a primer. Studio Fix along with Face and Body Foundation were both used for a well groomed look. Prep+Prime Transparent Finishing Powder was buffed all over, while Sculpting Powder was used under the cheekbones for a taupe, womanly feel. Eye Shadow in Wild By Nature was applied over the entire eyelid, with Eye Shadow in Fresh Water blended through the crease. Paint Stick in Blue was then dabbed into the inner corners of the eye and along the socket line before being powdered to set.  Eye Shadow in Shag was taken beneath the lower lashes for soft definition. Houghton then topped eyes off with Pro Lash Mascara in Black (applied to top and bottom lashes).  M·A·C Blushcreme in Uncommon mixed with Lip Erase in Dim were blended together and patted onto the mouth for a healthy, nude, “polished” lip.

Nathan Jenden

M·A·C artist, Makky created a “tribal chic” look at Nathan Jenden.  Said the artist, “The clothes are already very powerful so I wanted the makeup to have a simple statement that’s still bold and modern.” M·A·C Face and Body Foundation was set with Invisible Set Powder for very perfect, matte skin. Iridescent Loose Powder in Golden Bronze was applied to highlight the cheeks and the bridge of the nose on darker skin tones. Mineralize Skinfinish in Soft and Gentle was applied to highlight the cheeks and bridge of the nose on lighter skin tones. Makky created 2 looks for the eyes: for darker skin tones, the artist used M·A·C Chromaline in White (applied in a slight 50’s shape, precisely on the upper  lash line. Eye Shadow in Gesso was then placed on top of the Chromaline. For a bold brow, Makky used Brow Pencils in Spiked or Stud. On lighter skin tones, M·A·C Water Based Mixing Medium and Pigment in Silver were blended together  to create a metallic silver liner, also painted on in a 50’s shape. Lip Pencil in Chestnut was drawn precisely around the mouth and was blended inwards. Eye Pencil in Ebony was used for darker skin tones. M·A·C Pro Paint Stick in Black filled in the lips.

Jonathan Saunders

“She’s a cool, nerdy, beautiful art student influenced by 1930’s intellectuals,” says M·A·C artist, Andrew Gallimore of the looks at Jonathan Saunders. M·A·C Face and Body Foundation was applied to create beautiful, glowing skin. Select Moisturecover Concealer was applied where necessary, while Invisible Set Powder was dusted over the top of the nose and eyelids. Mineralize Blush in Dainty was then applied to the apples of the cheeks with a #129 brush for a soft, blown out look. Gallimore then used M·A·C Select Moisturecover Concealer mixed with Pro Lip Erase in Dim and different shades of pink lipsticks to warm up the lips (adjusted to suit the skin tone of each model).

Image Layouts: Michelle Peredo

Laura Su of Prismera Designs is honored to present to you, the extended MISS crew, the fashion-inspired watercolor paintings from the second series of her fashion illustration prints.

As a wee kiddo in Kindergarten, there was nothing I loved more than making a mess. It seems this addiction to chaos is imprinted into the adolescent brain of every sandbox playing, booger eating 5-year-old. My weapon of choice was watercolors. Somehow, my colorful presentations always seemed to run together and end up looking like the mud pie I’d just made at recess. Not for Laura Su of Prismera Design. She’s managed to take watercolors and turn them into pieces that are way better than my old school refrigerator scribbles.

Laura has perfected the art of watercolor use. The colors are vivid and eye-catching. Nothing like the washed out images you'd expect from watercolors.

“Watercolor is a medium that I’ve loved since art school and painting these lovely girls has allowed me to continue embracing color in a different way while designing my line of jewelry.” –Laura Su

Classic designs paired with the gradual darkening and fading of a single color. Simply gorgeous.

Laura’s latest creation is a collection of fashion illustration prints. There are five prints in the second installment of this collection: Scarlet, Cadmium Yellow, Emerald, Cobalt, and Coral. Each of the dainty dolls illustrated is wearing a gorgeous gown in one of the vivid colors and comes printed on slightly textured 100% cotton rag paper. The inks, canvas, and illustrations, and artist are all top notch. I swear primary and secondary watercolors have never looked this good!

It baffles me how she got the colors to blend without making a puddle of a mess. Now THAT'S talent!

The prints are available as follows:

5” x 7” print – $20 (with frame, add $30)

11” x 14” print – $46 (with frame, add $45)

Set of 3 (5” x 7”) – $55

Set of 3 (11” x 14”) – $45

Lady Cobalt is my favorite. The blue is so bright, and the dark hair of the girl makes it stand out even more.

The illustrations from Series I are also available as postcards. Each 4” x 6” card has rounded corners and blank backs which are perfect for writing a personalized message. A set of 12 (a variety of four prints, three each) is only $18. You can even have custom illustrations done for $275.

All of Laura’s creations are available for view and purchase at Prismera Design.

Image Layout: Feesh

The good people over at M·A·C were kind enough to share their facecharts from the Fall 2010 shows during London Fashion Week. Today’s facecharts include: Todd Lynn, Meadham Kirchhoff, and Vivienne Westwood Red Label, whose shows took place on Sunday, February 21st.

Todd Lynn

M·A·C artist, Terry Barber created a barely there look for Todd Lynn’s Fall 2010 collection. Said the artist,” It’s nude and perfect, but in a very REAL way. I’m really referencing the way that women want to look now. It’s about makeup imitating skincare.” M·A·C Studio Sculpt Foundation was applied to the face for a flawless finish. Cream Colour Base in Pearl was blended onto cheekbones with the fingers, while Cream Colour Base in Luna was added on top of the cheekbone for an intensified highlight. *Cream Colour Base in Fawntastic was used (as a highlight) in place of Pearl for deeper skin tones. For eyes, Barber used M·A·C Eye Kohl in Fascinating in the waterline of the eyelids. Full Coverage Foundation in White was smoothed over the eyelids for a milky effect, while Brow Set in Clear was brushed up through the brows. Lashes were kept bare. Barber then used Lip Erase in Dim to mute out the natural color of the lip.

Meadham Kirchhoff

The look at Meadham Kirchhoff’s Fall 2010 show consisted of “Junkie gypsies and Rahjasthani young brides, with an artistic feel.”  Said M·A·C artist, Florrie White, “They’re strong, passionate girls. I’m reflecting the coloring and layering in the collection with multiple textures and shades for a real artisan feel.”  White applied Eye Shadow in Tete-A-Tint all over the lid and underneath the eye (imprecisely for a messy look).  Eye Shadow in Palace Pedigreed (available Fall 2010) was then washed over the brown bone and lower lash line.  Eye Kohl in Smolder was used to create a thick, messy line beneath the lower lashes. Pro Gloss Texture was then painted under the lower  lashes (as a base).  Glitters in 3D Gold, Copper, and Reflects Very Pink were then randomly blended beneath the eyes.  Lip Pencil in Redd was dotted on the inner corners of the eyes and topped with Gloss Texture and a small cut out of red, reflective paper. Lashes were left bare while Brow Set in Clear was brushed  upwards through brows. White kept lips minimal using Blushcreme in Laid Back (patted on to the lips for a stain).

Vivienne Westwood Red Label

According to M·A·C artist, Gordon Espinet, “Vivienne’s brief was slightly boyish makeup that embraced the idea of of shadows from light, so I looked to the photography of Penn and Avedon and how they would shape and shade a face with light.” Espinet  applied M·A·C Strobe Liquid mixed Face and Body Foundation in White (as well as either C1 or C2) to give skin a translucent pallor. Powder Blush in Taupe was brushed on as a base for the contour. Eye Shadow in Quarry was applied to cool down the color, while Copperplate deepened the shadows (all applied to cheekbones, temples, ears, and jaw with a #116 brush). Espinet then applied Powder Blush in Taupe and Eye Shadows in Quarry and Copperplate from the lash line to the brow with a soft #224 brush (and swept beneath the eye and down the sides of the nose with a #219 brush). Lashes were kept bare. Lip Erase in Pale was applied to the lips followed by Lip Pencil in Stone (to top lip and beneath bottom lip only). Eye Shadow in Copperplate was then layered over the lip pencil for a matte grey brown tone.

PASS (Pilipino-Americans in Social Studies) is an organization at UC Irvine that strives to increase the representation of Filipinos and other minorities within professional industries. PASS is presenting the first of a quarterly event called “PURSUING YOUR PASSION.” This March, the theme is THE FASHION INDUSTRY and will feature a professional panel and a UCI student/alumni panel. Featured speakers will share their stories about college and job experiences, obstacles they have faced along the way, influences and inspiration, and all in all, discovering and doing what they love.

PROFESSIONAL PANEL:
Dennis Calvero [founder & designer, CROOKS & CASTLES]
Lanie Alabanza-Barcena [founder & designer, HELLZ BELLZ]
Alfred Lape [founder & designer, LAVSH]
Rich Cofinco [founder & designer, CREATIVE RECREATION]

UCI STUDENT/ALUMNI PANEL:
Joanna David ‘07 [Stylist, REVOLVE CLOTHING]
Daniel Pabustan ‘11 [Business Affiliate, THE ILLIONAIRES]
Tiffany Vita ‘07 [Senior Allocations Manager, AMERICAN APPAREL]

MUSIC PROVIDED BY: DJ GEO-D

SPECIAL GUEST PERFORMANCE & LOTS OF RAFFLE GIVEAWAYS!

WHEN: March 3, 2010 | 6pm to 8pm
WHERE: Crystal Cove Auditorium | UC Irvine Student Center
PARKING: Student Center Parking Structure
West Peltason and Pereira

ADMISSION: FREE | $5 suggested donation for Haiti

*This event is open to the public.

Click for more info.

New Balance 365 Project

When I think sneakers balance is not the first thing that comes to mind. However Boston based New Balance is out to change that with their New Balance 365 Project. Launched Monday, New Balance 365 is a collection of 365 short films that post live each morning to NewBalance365.com. The films are directed by Jesper Kouthoofd, a Swedish director who has done spots for Ikea, H&M and Volvo to name a few, and will feature a New Balance silhouette from the spring/summer 2010 collection in addition to exploring the idea of balance. Today’s 20 second short shows two men, one with a really long beard and the other with Rapunzel like locks wearing the latest sneakers in an effort to engage customers in way that goes well beyond your typical online shop. At the end of each clip, product info for the featured sneaker will be shown. In this day and age no new campaign is complete without an iPhone app,  which is why New Balance 365 already has one, sorry Blackberry users.

To tap into those of us who are addicted to our iPhones, New Balance 365 will also be launching an alarm clock app that allows devoted fans to wake up to the balance. The alarm clock will wake you up with something new every day and will also allow users to view their sleep statistics and compare them with others around the world. I’m  really not sure what “the balance”  is nor do I know if comparing your sleep habits to random people around the globe is actually necessary, but I’m already downloading the app as I type.

The videos and iPhone app are all available now on the NewBalance365.com.

New Balance 365 preview video on YouTube