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Blooming Visionaries: Cherri Wood

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Blooming Visionaries: Cherri Wood


M.I.S.S. presents Blooming Visionaries: Victor SolomonToday we present you with a special Blooming Visionary, for she is the freshest of all sprouts at the age of 19. While attending the Milwaukee Institute of Art and Design she is already turning heads in the world of graphic communication, illustration, and fine art. While most art students struggle to find their individual style, Cherri is already neck deep in a visual exploration of supernatural spirits, the memories that haunt us, and gentle beauty. We are always inspired by a young woman whose ambition and talent flower into success at such a young age. Look on to sample the whimsical images of Cherri Wood and to hear a few words on her plans for the future.

Cherri Wood

Why do ghosts intrigue you so?

Ghosts are very strange to me. Ever since I was seven I had this fascination with them. I was also terrified of them and they bothered me a lot when I would try to sleep. I examine them a lot in my art as a way to understand them or at lease cope with the fear I have of them.

Cherri Wood

Which historical artist do you relate to most?

Francesca Woodman.

If you could pause life and pick up your bags to travel, where would you go?

Stockholm, Sweden.

What are the people like in Milwaukee?

They have some friendly individuals, some not so nice ones, and a dash of the bizarre.

Cherri Wood

How much time does it take to finish each piece?

Some pieces take several hours or months, some take less than thirty minutes. Usually it depends on the piece and what I am thinking of. I am quick drawer but I try to slow down and simplify things to the bare essentials. Sometimes I am successful and sometimes not. In my earlier work I was able to complete my pieces very quickly and I would end up with five or even seven pieces done in a day. Nowadays I slowed down so as to not overdo drawing.

What do you think about while you paint?

Lines, cats, butter, jellybeans, films, rain, my mother’s secret recipes, replacing my quill, getting new brushes, cleaning, getting some new ink, wondering what the next drawing will be, wondering if I should erase something in the current drawing, thinking about starting over on a drawing, considering taking bass clarinet lessons….

Cherri Wood

What is the first mark you make on a blank surface?

Sometimes I make a very light gesture drawing of a figure. Sometimes I make a stain on the paper or canvas.

How do you choose few words to add large meaning to you works?

It depends on what I am thinking about. I normally match it to that. I don’t think about it too much and rather just let it happen.

Cherri Wood

Do you type or hand-print the text?

In the past I would cut it out of a book, poem, or article and paste it on the piece. Nowadays I prefer just hand-printing or transferring the text onto the drawings instead of cutting and pasting.

What did your drawings look like when you first started making art?

There were a lot of birds and swirls.

If a viewer could take away on thing from looking at your works, what would you want that to be?

To spark a memory in the viewer after looking at the drawing.

Cherri Wood

What was the hardest part about getting you work seen?

The internet was the best way for me to share my work and put it out there. Also being fortunate enough to build connections with galleries and being invited to show my work in the space. It was harder to show my work in my hometown mostly because I would get judged based off my age and I wouldn’t be taken seriously.

What was your back up plan if art didn’t work out?

If art didn’t work out then I would probably be in medical school right now.

Cherri Wood

What is your favorite art gallery?

Soma Gallery.

What do you cook at home?

I mostly make flat breads, sometimes I cook white rice with different sauces alongside meat. Simple things.

Who is the first person you call when you get off work/school?

A friend.

Cherri Wood

What’s the first thing you are going to do when you graduate?

Continue the work I am doing now. Hopefully work in a design firm. I’m not exactly sure at the moment.

How does it make you feel to create something beautiful?

Calm.

Cherri Wood

To see more from Cherri Wood, click here.


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Blooming Visionaries: Sougwen

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Blooming Visionaries: Sougwen


M.I.S.S. presents Blooming Visionaries: Victor Solomon

Blooming Visionaries: Sougwen

Blooming Visionaries: Sougwen

Organic is her name, design her game: Sougwen is the girl behind these beautiful illustrations. Many contemporary designers say less is more, but this Stockholm based artist goes all out. Her fluid lines are captivating in all their twisting goodness: they twirl and plunge and lead your eye to the center of Sougwen’s universe. It’s no wonder she was worked with Google and Nike. Climbing to the top of the graphic ladder can be though, though. Tune in to hear what Sougwen has to say about growing up in Canada, her recent skateboard collabs, and what’s in her bag.

Afterthoughts by Sougwen

Afterthoughts by Sougwen

What does your name mean?

In Chinese, it means “sincere person.”

Where did you grow up?

North America.

Why/when did you make the move from Canada to Brooklyn?

I experienced an expedited move to New York to pursue a job several years ago; it was fairly rushed and mostly unanticipated. At the time, I was planning on moving to San Francisco. More recently, I’ve left Brooklyn to live in Stockholm for a spell.

Corpus Delecti by Sougwen

Folie à deux by Sougwen

Sepal Cure by Sougwen

Sepal Cure by Sougwen

Are you formally trained in illustration/design?

I have a BFA in Design, but I consider myself to be auto-didactic in regards to the type of work I make.

Do you draw from visual references or purely from imagination?

My graphic work to date is driven by a fascination with the investigative process of seeing. In other words, through having one mark inform the next mark.  Usually, a piece develops on the page using this process. As a result, the type of drawing I practice has a strong emphasis on improvisation and experimentation.

A few months ago, I participated in a collective drawing performance for TWiN Studios in New York. Video of my drawing to their playlist can be seen here, which documents how one of my illustration develops through mark-making. Also, I’ve been cataloging some fragments from my sketchbook here.

How much time do you spend with each piece?

I usually finish multiple studies and experiments before stumbling onto the beginnings of something I’d consider a piece or a series.

Sougwen vs JoshDavis

Sougwen vs JoshDavis

A Sketch by Sougwen

A Sketch by Sougwen

Do you work primarily in a digital format or by hand?

I begin by hand.

What kind of art direction have you done?

I’ve art directed projects for companies ranging from corporate entities to start-ups, record labels to skate companies. Most recently, I’ve been responsible for the new PercussionLab.com, an online community dedicated to curated and user submitted sets. In addition, both Ian Lynam and I are responsible for designing limited edition decks for OPEN Skateboards, which will be available for purchase soon. A few upcoming projects involve another collaboration with Ghostly International and some new socially minded and philanthropically oriented work.

Creatively, however, I’m looking forward to switching gears a bit and experimenting with a new medium in the near future.

Spectral50 by Sougwen

Spectral50 by Sougwen

Sougwen & deck

Sougwen & limited edition deck for OPEN Skateboards

What’s the best part about your current job?

I like that my job is intuitive, collaborative, and I can do it well from anywhere in the world.

What would you do differently if you could turn back the clock?

Ask me in 25 years.

What does your living space look like right now?

I’m spending the next little while traveling through the US, Canada, China, and eventually ending up in Stockholm, Sweden. In my shoulder bag, I’m carrying a Macbook Pro, Digital SLR camera, flatbed scanner, drawing pad, and pens.

What’s your favorite thing to spend money on?

Tools.

What are you most passionate about?

I’m not entirely sure yet, actually.

What drives you to create?

Instinct.

Sougwen's website

Sougwen's website

To purchase prints of Sougwen’s work, please visit: http://www.inprnt.com/profile/1522

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M.I.S.S. presents Blooming Visionaries: Victor Solomon

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M.I.S.S. presents Blooming Visionaries: Victor Solomon


M.I.S.S. presents Blooming Visionaries: Victor Solomon

“Victor Solomon is a man without a name. What is a man without a name? Someone that people say, ‘Who is that guy? What’s his name?’ But people want to know, who are you?”

-Todd Hudson

 

 M.I.S.S. presents Blooming Visionaries: Victor Solomon

M.I.S.S. presents Blooming Visionaries: Victor Solomon

 

Good morning ladies and gents:

Today we are proud to present you with our very first Blooming Visionary here at M.I.S.S. To kick off this investigation of emerging artists local and abroad, we have been fortunate enough to encounter the talented Victor Solomon. He is a film making enigma without a name: a creative force of unknown origins. Our people talked to his people, and an interview was agreed upon. It was delivered to us in secret with a few smuggled pictures of the talented inventor. We finally discovered that Victor does in fact live in San Francisco proper, yet his awe striking films leave not a trace.

Below you will find a collection from Solomon’s Anthropology series, based on the book of short stories by Dan Rhodes. You will find his full length audio interview conducted by Todd Hudson. You will find quotes from Victor and a few stolen photographs. Tune in to hear Solomon’s philosophy on the creative vessel, why film making is so difficult, and if he can really pull off 101 short films in a year.

 

I’m not an enigma. I’m very normal.

 

This is the thing about film that’s so frustrating and difficult: it’s hard. I have huge respect for anyone that finishes anything in film, because it’s a really overwhelming process. You have to get people together, there’s a lot of heavy lifting involved, literally. And in that time, in the execution, things are getting lost and you have to find a way to guard the idea.

 

I want to talk about the idea of the creative vessel. This is not meant to be self-deprecating or false modesty, but I don’t think there’s anything different about me, creatively, than anyone else in the world. I don’t think anyone else couldn’t do what I’m doing. It just goes through me, I’m the laborer. The initial inception of an idea is outside of my control.

I’m in the shower, I’m driving around, and something just pops up and I shoot a letter or something. There are radio waves of ideas that just flow through, and they could easily flow through you or me or anyone. The execution is really what anyone does. If I have an idea and someone gets around to it before I do, that’s fine. They caught the same signal.

So, Anthropology. I went through this really weird phase the year before last. I shot a bunch of music videos and none of them came out they way I wanted to. I was just in this bad spot when a friend of mine handed me this book of short stories. It was Dan Rhodes’ book called Anthropology. It was 101 stories, all 101 words each; I sat in the park and read the whole book in one sitting. I just thought they were brilliant, I felt like they needed a visual representation.

It just spoke to me and seemed like something really fun. When I sat down to figure out how to shoot them, I felt like I wasn’t making the decisions. When we shot it, it was a very charmed experience all the way through. Everything just fell into place and then they came out really well. If I put more of myself into the process I probably would have messed it up.

M.I.S.S. presents Blooming Visionaries: Victor Solomon

Victor on set, attempting to translate his vision to his crew...

When you really intellectualize filming, it’s ridiculous.


When you’re making film there’s money on the line, there’s time, there’s all these people waiting for you, there are many external pressures. I’m really jealous of writers and artists. They just get to sit in a room and create, there’s very little risk.

The idea is all in my mind. And then thirty people need to get hired to make this idea come out of my mind. I have to manufacture these people’s emotions into feeling this way, I have to get the lighting to look the way I want it to through my gaffer and grips, I have to get the image to look the way it looked in my head through the director of photography, I have to get the production designer to create what it looks like in my mind, I have to get all these people to literally working very very hard to realize my vision.

M.I.S.S. presents Blooming Visionaries: Victor Solomon

Filmmaking is everything but a hobby to Victor...

I think of filmmaking as a hobby more than anything, I’m just wielding this creative energy, it’s not mine. I’m just reining it in and guiding it to the output.

If I could just shoot the Anthropology films for the rest of my life I would be completely satisfied creatively. I could shoot those forever and I would feel happy.

M.I.S.S. presents Blooming Visionaries: Victor Solomon

A true visionary—and creative vessel—Victor Solomon.

To see more of Victor’s creative output, consult http://victorsolomon.com/ or listen to his custom playlist below.

(Download the playlist at Divshare.com)

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