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Fashion Meets Music: Lady Gaga “Marry The Night”

After splitting with her creative director of four years, Laurieann “Boomkat” Gibson, Mama Monster has taken the reigns and delivered a music video wrapped in a 14 minute short film. With less than subtle nods to “Fame,” “Black Swan,” “Desperately Seeking Susan” and a touch of “The Bell Jar,” this somewhat dark trip into the recesses of Gaga’s mind is worth the 14 minutes just to hear her muse on BeDazzlers and next season’s Calvin Klein.

According to the lady herself, “Marry The Night” depicts the worst day in her life. If the worst day in her life included well phrased monologues, custom Giuseppe Zanotti shoes, break downs in Manhattan lofts, mint hair dye and blowing up cars in over the knee Christian Louboutin boots, I’d gladly trade. Of course like she says at the beginning as she’s being wheeled to a room in a pysch ward after an undisclosed operation, this is her version of the truth which is more true than the actual truth. Whatever break down that lead to Stefani becoming Gaga was devoid of the sick clothes, amazing choreography, over the top imagery and hard hitting sounds that we see in “Marry The Night,” but it undoubtedly lead to it.

Break down over and done, the beauty in “Marry The Night” is not just the metaphor laden overarching theme but the clothes of course–I mean seriously, it IS Gaga. From the moment we see a barely conscious Mama Monster being wheeled down the hall by two hot nurses in sterile white dresses with sick white heels and mint hair nets, we know this is a Gaga production. Fast forward to a newly released Gaga losing her mind in her studio, bathing in honey nut Cheerios and dying her hair mint green as she sings the opening lines of “Marry the Night” in her bathtub wearing, as we see later, nothing but a pair of sparkly platforms. She has her Madonna moment in BeDazzled denim and a pair of awesome custom shades, and slides into the roof of a car in a black pleather outfit that is equal parts Batgirl and dominatrix. Through the quick flashes of the moments leading up to her break down we get glimpses of a pre-meat dress Gaga circa The Fame. While I loved every outfit from beginning to end the most beautiful, and wearable ones, were worn by the nurses as they wheeled our little “morphine princess” back to reality.

Whatever you think about Gaga, her backstory or her abilities as a director, you have to admit that the girl is smart. I mean only someone with a mind full of references addled by self induced trauma could come up with such a fitting homage to the struggles of fame and reinvention,  and everyone’s favorite city all while wearing heels so high that falling off of them would break a major bone.

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